{"data-model-common":[{"name":"lang", "value":"en"} ,{"name":"detail-page-free", "type":"replicant", "value": [ ]} ,{"name":"programmeDescription", "type":"text", "value":"<p><span style="font-size: 18pt;"><strong>An epic story spanning the stars,<br /></strong><strong>True love blooms in the rifts of time and space.</strong></span></p> <span></span> <p>Yan Pat To's "Post-Human Journey" trilogy reaches its conclusion with<span>&nbsp;</span><em>Sound Everywhere in the Universe</em>, continuing the exploration of humanity's condition in the near future initiated in Sapiens:<span>&nbsp;</span><em>A Concise History of Future</em><span>&nbsp;</span>and<span>&nbsp;</span><em>Posthuman Condition</em>. This latest work delves deeper into the ultimate questions of human existence, addressing suffering, sorrow, and the potential for transformation.</p> <p>"Things that fall into a black hole only transform, they do not disappear," the cat with a hole says.</p> <p>Planet OO was dragged into the black hole. Determined to reunite with his wife Aries who couldn't escape, T embarked on a cosmic journey. After 200 years of transformation, T finally arrives. Planet OO still exists but transformed into planet QQ. T feels completely out of place...</p> <p>This performance marks the first complete presentation of<span>&nbsp;</span><em>Sound Everywhere in the Universe</em><span>&nbsp;</span>in Hong Kong as one of the &ldquo;EKCC Opening Season&rdquo; programmes. The production utilises Kinect real-time sensing projection technology and AI-generated imagery to construct a time-transcending effect, creating a rich, aesthetic and novel viewing experience, in addition to exploring the possibilities of integrating arts technology with live performance.</p> <br /> <div> <div><span><span><br /><span style="text-decoration: underline;"><strong>Creative &amp; Production Team<br /></strong></span><strong>Playwright / Director / Adaptation:</strong>&nbsp;Yan Pat to<br /><strong>Producer:</strong>&nbsp;Felix Chan&nbsp;<br /><strong>Assistant Director:</strong>&nbsp;Chu Kai Hin<br /><strong>Adaptation / Administration &amp; ticketing:</strong>&nbsp;Tsui Tsz Ching^<br /><strong>Performer:</strong>&nbsp;Leung Ho-bong, Birdy Wong Ching yan*, Lai Yuk ching, Zhao Yiyi, Sung Boon-ho, Ceci Chan, Andy Chan<br /></span></span> <p><span><strong>Scenographer:</strong> Yuen Hon wai<br /></span><strong style="font-size: 14pt;">Lighting Designer:</strong><span style="font-size: 14pt;">&nbsp;</span><span style="font-size: 14pt;">Octavian Chan<br /></span><strong style="font-size: 14pt;">Music / Sound Designer:</strong><span style="font-size: 14pt;">&nbsp;</span><span style="font-size: 14pt;">Chan Wai fat<br /></span><span><strong>Video Designer:</strong>&nbsp;Yu Wing yan<br /></span><strong style="font-size: 14pt;">Video Visual Design:</strong><span style="font-size: 14pt;">&nbsp;</span><span style="font-size: 14pt;">EVFO<br /></span><strong style="font-size: 14pt;">Projection mapping and Engineer:</strong><span style="font-size: 14pt;">&nbsp;</span><span style="font-size: 14pt;">UPO<br /></span><span><strong>Costume Designer:</strong>&nbsp;Andrew Cheung<br /></span><span><strong>Deputy Costume Designer:</strong> Ching Hoi Man<br /></span><strong style="font-size: 14pt;">Deputy Producer:</strong><span style="font-size: 14pt;">&nbsp;</span><span style="font-size: 14pt;">Sally Hui<br /></span><strong style="font-size: 14pt;">Production Manager:</strong><span style="font-size: 14pt;">&nbsp;</span><span style="font-size: 14pt;">Agnes Lee<br /></span><strong style="font-size: 14pt;">Administration&amp; ticketing:</strong><span style="font-size: 14pt;">&nbsp;</span><span style="font-size: 14pt;">Mo Hiu Shan^<br /><br /></span></p> <span>* With kind permission of Artocrite Theatre<br />^Funded by Hong Kong Arts Development Council &ldquo;2024/25 Arts Talents Internship Matching Programme&rdquo;&nbsp;<br /></span></div> <div> <div><span><br /></span><hr /></div> </div> <br />Reframe Theatre is the venue partner of East Kowloon Cultural Centre&nbsp;<br /><br /><span>The presenter reserves the right to substitute artists and change the programme should unavoidable circumstances make it necessary&nbsp;<br /></span><br /><span>The content of this programme does not represent the views of the Leisure and Cultural Services Department&nbsp;</span></div> &nbsp;"}]}